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“Mosey, ef I darn yer socks fer a month would you let me hev’ two bits?”,

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The little stranger girl smiled winningly. Her childish companions had not been numerous enough to justify her in drawing such close lines; and she liked the sweet, half timid faces that always looked so earnestly into her own. “Surely, I’ll play with you. I’ll come to see you some time when Mrs. Bennett says I may.”,

“Moses, put the hosses in the stable an’ fuller me. We’ll soon find him, Mis’ Mifsud,” said Mr. Wopp, his kindliness asserting itself in this crisis. “Come on, Clarence, an’ Mis’ Mifsud you send the other men along ’s soon ’s they git here. Jist you rest easy, we’ll soon be back with yer boy.”

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In the Crump household, Clarence stood for all that was brilliant and intellectual, while Isobel stood for all that was fairy-like and charming. Moses felt himself a cipher, of no account whatever, in this wonderful home. He would need an extra administration of sympathy from Betty on his return. He thought at that moment very tenderly of the great brown eyes that “looked like they loved everybody.”,

“Them carrots do smell sweet.”,

“Break it,—not now; when I tell you.”,

The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.